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I wanted to start a bar and gallery, something like the old Gray Gallery on Capitol Hill. The Twilight Art Collective became available and I thought it was a great, established space and a good place to start. I had been curating in Seattle for years, and collaborating with the artist duo DameBuilder. A lot of the things we did were based on a bell hooks essay—we were inspired by the ‘70s feminist art movement where women artists created their own concepts for shows and put them on. We did quarterly shows all over the city, lots of pop-ups, but I wanted a place to create an identity. West Seattle is my town.